Read Good Shit On Musings
You don’t find it; it finds you, most likely in the dead of night.
You can’t sleep, you may or may not be on drugs (you don’t have to be, though it’d be a lot cooler, as they say, if you were), and you’re clicking around the weirder back channels of YouTube again. You pinball from ‘80s-era NASA test footage to “36 NEW SHOWS FROM THE HELLISH MID-SEASON TV OF 1979” to the deep catalog of VHS oddities discovered and uploaded by a dedicated corps of obsolescence fetishists. It’s here, among the creepy camcorder detritus and lost video-dating profiles, that “Electric Light Voyage” has been waiting for you.
[Last year, Musings paid homage to Produced and Abandoned: The Best Films You’ve Never Seen, a review anthology from the National Society of Film Critics that championed studio orphans from the ‘70s and ‘80s. In the days before the Internet, young cinephiles like myself relied on reference books and anthologies to lead us to films we might not have discovered otherwise. Released in 1990, Produced and Abandoned was a foundational piece of work, introducing me to such wonders as Cutter’s Way, Lost in America, High Tide, Choose Me, Housekeeping, and Fat City. (You can find the full list of entries here.) Our first round of Produced and Abandoned essays included Angelica Jade Bastién on By the Sea, Mike D’Angelo on The Counselor, Judy Berman on Velvet Goldmine, and Keith Phipps on O.C. and Stiggs. Over the next four weeks, Musings will continue with another round of essays about tarnished gems, in the hope they’ll get a second look. Or, more likely, a first. —Scott Tobias, editor.]